Showing posts with label swatches. Show all posts
Showing posts with label swatches. Show all posts

Saturday, May 18, 2019

The Hype Machine: Yves Saint Laurent Touche Eclat High Cover Radiant Concealer


The Hype Machine is a series that takes a critical look at well-loved, cult classic, appears-in-every-other-Instagram-photo products and asks: are they worth the hype?

A little under two years ago, this same series ranked the original Touche Eclat All-Over Brightening Pen as an above-average product, versatile and lovely, but probably more expensive than necessary. I've continued to use my Touche Eclat pen primarily as an undereye brightener, mixing it with my concealer du jour to get a bit less coverage and a brighter, slightly dewier finish. So when YSL released a true-blue concealer version of Touche Eclat (because, again, the original is not really a concealer; stop yelling at the poor thing), and when it was reviewed positively by bloggers I trust, I decided to bite the bullet and use up my gift cards.

Natural light on top, ring light on bottom. From left to right: YSL TE High Cover in 0.75 Sugar, YSL TE Brightening Pen in 2 Luminous Ivory, NARS Radiant Creamy Concealer in Chantilly, Glossier Stretch Concealer in G11.

What got me a little stuck was the shade range. I couldn't decide between the lightest shade, 0.5 Vanilla, and the second-lightest shade, 0.75 Sugar. After receiving several super-helpful comments on Instagram, I decided to go with 0.75 Sugar, since this is clearly meant to be an undereye/brightening concealer, and I knew the peachy tones of 0.75 would work well on my dark circles.

I'm glad I went with that shade. First of all, yes, 0.75 is DEFINITELY peach-toned, and it definitely works well on dark circles--more on that in a moment. Second, it's closer to the original Touche Eclat pen in 2 than you'd think. See, the original Touche Eclat pen darkens up a bit as it dries: it comes out looking almost identical to the very pale NARS Chantilly, but it ends up being about a shade darker. I'd peg the YSL Touche Eclat High Cover at about NC/NW 15 in terms of depth, and the YSL Touche Eclat All-Over Brightening Pen is maybe half a shade lighter.


The only other product on my face in these photos is a thin layer of the Surratt Surreal Skin foundation, which, LOOOOL, look at that beautiful application right over my top lip. I'M AN ARTIST.

The new High Cover version of Touch Eclat features a nearly identical metal tube and brush tip applicator; the only difference is that the High Cover version includes a black label, which is honestly helpful for differentiating between the two tubes quickly. I love the feeling and the weight of this packaging, and unlike many click tubes, it only takes a few clicks to get the product started.

One click will get you about twice as much product as you see in the above-middle photo. I actually find that a full click of this concealer is a bit much for me, so I just leave the rest on the brush for touch-ups or my next application. However, I tend to wear very thin layers of my base products, I only use this on my undereyes, and I have a sort of small face; you may use a whole click if you're covering more surface area or like more coverage.

Now, the name of this product may make you think this is going to completely blank out your dark circles. I don't think that's the purpose of this concealer. Instead, I think the name means this is a "high coverage version" of Touche Eclat (versus a traditional, maximum coverage concealer). I'd say this is a very natural, beautiful, just-barely-medium coverage concealer.


I can hear you scoffing. "Natural?! It looks like you smeared Vaseline on those undereyes!"

Look, I get what you're saying: my undereyes look hella-glossy in that after photo. But remember that it was photographed with a strong ring light shining directly down on me. In every other lighting situation I tested this in, including the all-important natural light, this just looked like a satin-y, natural, skin-like concealer. See the above natural light Instagram shot for proof!

You can also dust this very lightly with some powder to make it a natural matte texture. I found that powder took away any and all shine, and it prevented a bit of the (inevitable) creasing, but it didn't clump or cake.

Finally, let's answer that all-important question: is it worth the price? Again, I have to give you a wishy-washy "yes and no." For me, it's a pretty stellar product that's easy to apply, works well with all of my foundations, and really brightens up my face. I used to put two products on my undereyes; now I'm down to one. If you're like me and you have a hard time finding a single undereye concealer you like, it's aces. But if you already have an undereye concealer you love, I don't know that this luxury product is necessarily going to top it.

BOTTOM LINE: YSL has created a higher-coverage version of their beloved Touche Eclat pen that delivers natural, medium coverage that really works on my undereyes. If you're looking for a great undereye concealer, this could be the one for you; if you've already got a favorite, feel free to give this pricey pen a pass.



The Hype Machine is a series that represents my experiences and opinions. It is not meant to be a personal attack on a specific company, product, or consumer. I always recommend that you try products for yourself and see how they work for you. Everybody is unique, after all!

Sunday, March 17, 2019

1P2L: Pencil Eyeliner with Glossier Colorslide + Glossier Play Mini-Reviews


Like most beauty bloggers, I assumed Glossier was about due for a "more full-on" makeup range, and I figured Glossier Play would be it. When they launched a range that prompted some excitement and a slew of criticisms, my initial feelings toward the four new cosmetics and two new tools were relatively mild. Yes, I was excited for the highlighters, but my reaction to highlighters is as instinctual and simple as my two-year-old niece's response to french fries. The lack of professional swatches on multiple skintones--something Glossier has been relatively good about for the past few years--leads me to believe that the launch was a little rushed.

All of this said, I received a slew of Instagram messages and emails when this line was announced, so clearly there's been some hype and interest surrounding the range. And frankly, a fun, colorful cache of products I could buy with the store credit you lovely people have earned me (thanks!) couldn't have at come at a better time. Between Kirby fighting a nasty bout of shingles and me being whacked with the depression hammer, the first half of March reminded me just how important fun and relaxation are.



Now, a lot of people have complained that this launch doesn't suit the "Glossier look." I can't entirely agree. For starters, there's a reason why they're launching these products under a sub-brand: they know it's not their usual no-makeup-makeup. But more importantly, this strikes me as "cool girl" party makeup, the kind of stuff naturally pretty people slap on their faces when they go out and want to try something a little different. None of it is designed for precise cut creases or stage-worthy Instaglam looks, and in my opinion, that's very Glossier.

There's also been a lot of debate about the design and environmental impact of these products. This delightful post from Auxiliary Beauty sums up most of my feelings about this. I'll add that I thought the 1970s-as-seen-by-Y2K-teenagers fonts and boxes were very cute. They hit me right in the "oh fuck that was middle school" nostalgia. However, like most people, I think wrapping each product in an extra piece of foil, then putting in to a box, is a wee bit excessive. It's also suspicious to me that Glossier claims they spent two years preparing this brand, yet they didn't think to use biodegradable glitter. Their consumer base is almost all Gen Z and Millenials, and we're groups that tend to worry about climate change and plastic consumption. To their credit, Glossier has listened to the criticisms; they will phase out the foil packets and plan on reformulating their products with biodegradable glitter.


Since I'm ranting, may I also point out that Glossier is STILL doing that "this is so unique and there's nothing like it" marketing, and it just doesn't work for them? Colorful pencil eyeliners and glitter gel have been around for decades, but they're releasing ad copy like this:




For the millionth time: there are more marketing tactics than the appeal to novelty. Customers like me are drawn to how easy and effortless Glossier's range is, and some are drawn to the "cool factor." But I'm not seeing a single, not-a-Glossier-rep person gushing over how "new" and "original" these products are. Play to your strengths, Glossier.

Enough complaining; let's get on to the swatches, looks, and reviews!


As mentioned, Glossier Play was launched with four new makeup products and two tools. The first makeup product is Colorslide, a range of colorful eyeliners. I got five shades: Adult Swim and Disaster Class for day-to-day wear, and Early Girl, Nectar, and Jumbo for experimentation and fun. All of these shades are matte, but there are metallic colors in the range, if that's more your gig. The Colorslide pencils are $15 each.

I've also sharpened them with the Blade sharpener. I get that a sharpener isn't something most people are going to lose their shit over, but this is a pretty nice one at an agreeable $4. It comes with a purple "cleaning stick" that you can twist in the sharpener to clean out the blade.


Next, we have those not-yet-biodegradable Glitter Gelees. I have three of the four shades: Glass Bonsai, Phantasm, and Firewalk. They're all technically suspended in a clear base and are, therefore, meant to be layered or used as sparkle rather than as full-on eyeshadows. But you can see that some of the shades contain a bit more of the fine shimmer, which makes the base seem less clear; this is most obvious with Firewalk. Phantasm, meanwhile, contains no fine shimmer and is all larger, more obvious holographic glitter shapes. Glass Bonsai is somewhere in the middle as far as opacity goes.


The product I was least excited for, shocker of shockers, was the Vinylic Lip. Yes, a liquid lip product in a click pen with a spongey applicator takes me right back to my first order from ELF, I'm not gonna lie. But I'm not a huge gloss person, and I find clicky pens a bit of a pain to use. It took me 41 clicks to get product out of Pony, and a whopping 71 clicks with Baby. I also find Glossier's color descriptions a little weird: Pony is less "taupe" to me and more mauve, and "Baby" reads more like a strawberry pink than a saturated, blue-based red.

By contrast, I was beyond hyped to see that they were releasing more full-on highlighters, because...highlighters. I purchased the two lightest Niteshine shades, the yellow-based Pale Pearl and the pink-based Platinum Rose.


Here are two looks I created with my Glossier Play products. (The only one not shown here is the Glitter Gelee in Glass Bonsai.) On the left, we have my attempt at something a little more full-on. I used the Jumbo and Disaster Class liners as bases, then added Glossier Lidstar in Cub to the center of my eye and topped it with two layers of Firewalk Glitter Gelee. I lined my lower lashline with Nectar. On the whole, I enjoy the eye look:


Interestingly, neither the Colorslide pencils nor the Glitter Gelee applied the way I expected. Glossier describes Colorslide as a "technogel eye pencil," implying it has a smooth gel formula. I actually found these pencils very waxy, and they tugged at my lids a little as I applied them. Disaster Class was especially difficult to use and applied patchy when I tried to use it as a base. Also, while I was able to get some intense color out of the Colorslide pencils, it took at least two layers to reach full saturation, sometimes three. And using these all over your eyelid when they're a waxy formula that catches? This can happen:


Yeah, that's frustrating.

In short, you can use these as eyeshadow bases, but it's a real pain in the ass, and some of the shades work better than others. These also take a little more effort to transfer to your waterline as compared to a true gel or khol-type pencil. If you're going to get these, go for the more pastel, interesting shades, like Nectar and Easy Girl, which are perfectly serviceable and can be tough to get in a decent formula. As a whole, though, I don't think these eyeliners are particularly special.


I had much better luck with the Glitter Gelees. Now, some people have complained these glitter gels made a huge mess on their face and left a ton of fallout all over their cheeks. In video reviews that stated this, I noticed that the person would apply the glitter to their eyelid, then immediately start blinking and moving their eyes all over the place. A product like this needs a minute to dry, so just be patient and keep your eye as still as you can right after application. I had absolutely zero glitter fallout or movement from all three Glitter Gelee shades after they'd dried, which sort of stunned me.


For the second, more natural look, I used Easy Girl and Adult Swim on my upper lashline to create a simple, slightly winged eyeliner, then lined my upper waterline with Adult Swim and tapped a bit of Phantasm Glitter Gelee at the corner of my eye. Phantasm is the glitter most people are excited about, and I can see why; it's just really fun and pretty.

For both looks, I used their Detailer to apply the glitter. A silicone applicator is definitely the best way to apply these, since it gives you more control and limits the mess, but you don't have to buy this one. Plenty of other brands make cheap silicone applicators.

Both the Colorslides and Glitter Gelees had great staying power; there was no fallout and minimal fading/smearing throughout the day. I use baby oil and cottons to remove them. The glitter is especially tenacious and should be kept out of your plumbing as much as possible, so you'll probably want to hold the oil-soaked cotton on your skin for a while to loosen it up.


For the more dramatic look, I wanted a super-shiny, very bold, definitely red lip, but I didn't get that with the Vinylic Lip in Baby. In fact, when I tried to layer it, I got only slightly more color, but I also noticed flakes on my lips that I didn't see before--see above. And it still never became "high shine" like Glossier promised. It's a thin, lightweight, decently comfortable formula with a faint strawberry smell. Nothing terrible, nothing to write home about. Frankly, I think Glossier should have produced colored versions of their regular gloss instead, since it is far shinier and more full-on than this formula.

I'll definitely get more use out of Pony, which I used for the softer look. One layer gave me that wearable, work-appropriate mauve shade that's perfect for work.


Last, but not least, we have the Niteshine Highlighter Concentrate. In terms of payoff and shine, I'd say these are like Glossier Haloscopes and Becca Shimmering Skin Perfectors had a baby: they're shinier and more obvious than the Haloscope, but they manage to do it without being sparkly a la the SSP. It's a nice product with a thin, liquid formula that can be built up. Just make sure you blend them out fast, because they dry within seconds. I'm wearing Platinum Rose on my cheekbones in the full-on look, Pale Pearl on my cheekbones and under my brows in the more natural look.

While I really enjoy these and will get good use out of them, I have two quibbles. First, the shade range is just plain dumb. Platinum Rose and Pale Pearl are almost identical on your skin, and the two darker shades look similarly close. If you're releasing glitter gel and colorful eyeliner, and if your ads are full of disco and rave-inspired shots, you should probably come out with some more interesting colors. A lavender, for instance, would've been an on-trend option. Second, these suffer from the same packaging problems as the Lidstars: the lids are small, smooth, and difficult to turn. Anybody with limited hand mobility is going to have a rough time opening these highlighters.

When it's all said and done, I don't think this launch is as terrible as some people are making it out to be, but I also don't think it's full of products you have to rush out and buy. True, I really love the Glitter Gelees, and I'll use the Niteshine Highlighters regularly. But one of each, tops, will probably be more than enough for most people. And while the Colorslide pencils and Vinylic lips aren't dreadful, they certainly aren't worth it when you have brands like Colourpop producing better stuff at a lower price. If Glossier wants to improve this range, I suggest that they:
  • Fulfill their promise to use biodegradable glitter in the Glitter Gelee,
  • Improve the shade ranges for several of the products, and
  • Focus on creating what their fans have actually been asking for, like a cream bronzer or a tinted moisturizer/foundation with a bit more coverage. 
PS: I'll be taking a very short break from writing this blog to focus on work. I should be back by the end of March!

PPS: WHERE IS THAT GODDAMN CANDLE YOU PROMISED, GLOSSIER?!

Note: All of these products were purchased with Glossier store credit earned via an affiliate link. I have not been paid to test, photograph, or write about anything in this post. My reviews are always honest. Actually, Glossier is probably a bit sick of sending me so much free shit, given how poorly I've rated some of their releases. Sorry, guys.

Saturday, March 9, 2019

REVIEW: Laura Mercier Flawless Lumiere Radiance-Perfecting Foundation


Laura Mercier is the brand of my dreams, promising glowy skin and naturally gorgeous looks packaged in sleek, simple tubes. Unfortunately, I haven't had much luck with their products. Their formulas are almost always perfectly fine for me, but their shade ranges? I don't know what it is, but I can never find a passable match in a Laura Mercier formula. When they released the Flawless Lumiere Radiance-Perfecting Foundation, a product name full of words I love but refuse to keep typing throughout this review, I thought things might be a little different.

 Natural light on top, flash on the bottom. From left to right: Tarte Shape Tape Concealer in Fair, MAC Face & Body Foundation in C1, Kosas Tinted Face Oil in 02, Laura Mercier Flawless Lumiere Foundation in 1W1 Ivory.

The Flawless Lumiere foundation is $48 for an ounce of product housed in a simple glass bottle with an easy-to-control pump. As of this writing, there are 30 shades in the range, stretching from fair to decently dark, though it looks like there's quite a jump between the depth 5 and depth 6 shades. I chose the lightest warm shade, 1W1 Ivory. In swatches, it's about NC15 with very strong golden undertones, but I do think it gets a bit darker after application. Even when I self-tanned my neck, this shade was too dark for me.

The formula itself is a thin, relatively fragrance-free liquid that spreads easily with your fingers, a brush, or a sponge. If I had to describe the texture in one word, I'd call it "soft."


Laura Mercier says this product has medium coverage, and some people have taken umbrage with that. I actually think Laura Mercier is right, though you could call it a "light medium" or "natural medium" coverage. As you can see in these before-and-after pictures, my skintone is evened out and most of my flaws are covered or softened, but you can still see my freckles and a bit of the darker surface redness peeking through. This is a very skin-like foundation, and while it isn't outright glowy on my dry skin (what foundation is?), it certainly makes me look healthy and hydrated.

The one issue I had with this foundation? I had an awful time blending my blush over it. I tested all of my cream blush formulas, which normally spread like a dream for me, and they all experienced a bit of "catching." Powdering mitigated the issue a little, but of course, it cut down on the radiant finish. In the end, the best fix for me was to really warm up the blush on my fingertips or the back of my hand, then take my time slowly but surely patting it in to my cheeks. Going over the blush with a damp Beauty Blender also helped.


Here's a macro shot of my makeup completely finished. Looking at my nose, the skin around my brows, the tops of my cheeks...I think this foundation looks just like skin. Really, it's a beautiful texture.

PS: Why do so many brow pencils turn red on me? Is this some weird makeup version of a Midas touch? Send help and ashy pencils, please.


As far as wear goes, the Flawless Lumiere foundation performed pretty well. I noticed some oil breakthrough on my nose after three hours, and a lot of oil and some fading on my nose after 8 hours. The skin on the driest parts of my face--around my mouth and up the sides of my jaw--also looked a little dry at the 8 hour mark, though you had to get really close to my face to see that. I'd call that pretty solid performance, though I'd hesitate to recommend this foundation to truly oily skin. I didn't experience any itching, discomfort, or breakouts from this product; it was comfortable and weightless all day.

Now, in these pictures, I buffed out two pumps of foundation with a Real Techniques buffing brush, then bounced a damp Beauty Blender on top of it, as directed by many-a-YouTuber. However, Laura Mercier suggests using a sponge to apply this product. So I used a damp sponge and my usual "spray your face with moisturizing spray until it's dripping wet" tactic on my next test run, and I got this:


While they're both really lovely finishes, I'd say I prefer this sponge-and-spray look to the brush-and-sponge look. It has an even more natural finish. I also applied this product with my fingers during another test, and while it looked just fine, I really think a damp sponge works best.

And yes, I wore a turtle neck and applied the foundation to the top of my neck. This stuff is way too dark for me, but dammit, it's pretty, and I wanted to wear it to work at least once.

So there you have it: another Laura Mercier foundation that doesn't work for me, personally, but is an overall gorgeous product. If it wasn't such an uphill battle to apply my cream blush on top of it, the Laura Mercier Flawless Lumiere What Is With These Long Names Foundation would be a five star product.

RATING: 4 out of 5
I purchased this foundation from Sephora.

Wednesday, January 30, 2019

REVIEW: Kosås Tinted Face Oil


We're all prone to marketing pushes, and I'm no exception. When Kosås started promoting their products via Instagram ads, and several accounts I follow began posting about the Tinted Face Oil, I started nosing around for reviews and photographs. Despite the hype kicked up by that marketing push, however, there's still relatively few in-depth reviews of the Kosås brand. Wanting to fill that gap, slash, totally suckered in by slick advertising and products that seem right up my alley, I purchased both the Tinted Face Oil and a Weightless Lip Color on Black Friday.

Natural light on top, ring light on bottom. From left to right: Kosås Tinted Face Oil in 02, MAC Face & Body in C1, NARS Radiant Creamy Concealer in Chantilly, Sephora Bright Future Concealer in Fondant.

I purchased the Tinted Face Oil in shade 02, since it's the lightest shade with yellow undertones. As these swatches demonstrate, 02 is roughly NC15 on a MAC scale. It works fine for me when I'm self-tanning my neck, which, frankly, is something I've been doing regularly for the past six months or so because I'm tired of trying to match the single whitest part of my body. Since this is not a full coverage base and it has a skin-like finish, I'd guess it would work for anyone in the NC10 - 20 range. There are only 10 shades in the entire range, but there's a solid gradient, and Tone 10 is quite dark.

The texture of this product is different from just about any other foundation I've tried, and I've tried dozens. My Instagram followers bombarded me with two questions over and over--"How does it compare to the original Glossier Skin Tint?" and "How does it compare to MAC Face & Body?"--and I'm here to tell you that it's kind of like those two products had a super-runny baby. The texture is extremely thin and watery; it starts running down your hand immediately after you squeeze it out of the thin, plastic nozzle. A little goes a long way: a dime sized amount was enough for my entire face, and it has an incredibly powdery, silicone-ish feel to it that makes it slide across the skin in seconds.


Initially, I wanted to call the Tinted Face Oil a light coverage base. However, looking at these photos, I can see why the brand would call it medium coverage. This has the same sort of blurring effect that the original Glossier Skin Tint had, making it look like it provides more coverage than it technically does in photographs. In both real life and photographs, redness and patches of uneven color are evened out; blemishes are softened, but not completely covered; freckles are still visible. The difference is that the tint has a "soft focus" effect in pictures and a "skin like" effect in real life.


You can see the oil settling in to the fine lines around my lips. I took this photo after I'd already patted the product out of these lines three times. By the way, I hope you all appreciate the fact that 30-year-old me is giving you these sexy shots of my fine lines, youth-obsessed culture be damned.

The problem with this blown-out effect, of course, is that it's pretty damn hard to take macro shots. While this looks perfect and natural in pictures, and from about a foot away from my face, get a little closer and you'll see that this clings to dry patches. Even more annoyingly, it doesn't stay put: I had to pull this tint out of my fine lines at least four times, and it would transfer on to my fingers or fabric if I touched it for hours after application.


In terms of wear, the Kosås Tinted Face Oil is "meh," and I say that as somebody with very dry skin. My nose was oily in a few hours, which is no surprise, but you can also see a bit of shine and wear on my forehead and chin at both the 4 hour and 10 hour marks. I also noticed that my skin looked even dryer and flakier after several hours of wear. And each time I wore this product, I would notice new, painful, under-the-skin pimples in odd places at the end of the night, suggesting that something in the formula broke me out. Since it's hard to see in these time lapse photos, here are some super-sexy macro shots:

That picture on the left gives new meaning to "frosted flakes."

When it comes to rating the Tinted Face Oil, there's part of me that wants to give it three stars. I'm thrilled to see the darker shades at the end of the range, the actual texture of this product is beautiful, and it looks fantastic in photographs. But even if I set my personal acne triggers aside, I have to think about how useful this will be to most people. It doesn't stay put, even on dry skin, and it emphasizes both dry and oily patches. I have to admit to myself that I lean toward a 3 out of 5 because I so desperately wanted this to be a new favorite for me. That desire? That's not worth an extra star.

Rating: 2 out of 5
Kosås products are available on their website.

Sunday, December 16, 2018

REVIEW: Surratt Surreal Skin Foundation Wand


I've lusted after the Surratt Surreal Skin Foundation Wand for over a year now, but I couldn't bring myself to pay $130 per ounce for a foundation. Then Sephora put most of their Surratt products on sale, including this foundation, and I decided that I could stomach $32.50 to test a half ounce of Japanese-aesthetics-inspired luxury. That sale was only temporary, of course, so the question remains: is this product worth that $65-per-wand price tag?


The Surratt Surreal Skin Foundation Wand is described as a "medium-to-full coverage and long-wearing" foundation that "instantly melts into skin." It comes in a plastic tube that looks solid black on the website, but actually has this elegant bluish-green, sparkly gradient color at the top. You press a button at the end of the tube to dispense product through the attached brush. Makeup artist and brand founder Troy Surratt has claimed that he wanted the Surreal Skin Wand to be your primer, foundation, and tool in one package.

 Natural light on top, flash on the bottom. From left to right: Surratt Surreal Skin Foundation Wand in Surreal Skin 1, NARS Radiant Creamy Concealer in Chantilly, Sephora Bright Future Concealer in 03 Fondant.

The shade I purchased is the lightest in the range, Surreal Skin 1. It's described as being pale with beige undertones. I actually think it has a bit of the cool yellow undertones I go for, though it's not as pale as the NARS concealer or as yellow as the Sephora concealer. Overall, I'd say this is an NC/NW10-15 foundation that can be used by people with neutral or moderately yellow undertones. I don't know if this shade will be pink enough for people with strong pink undertones.

So how does the foundation and the applicator work? I have to be honest: I didn't expect it to work at all. I've always been leery of products packaged like this because I'm fussy about the cleanliness of my tools. (I've been cleaning the brush with Dr. Bronner's soap every couple of uses.) I also didn't think it would work very well, since, in the video I just linked, Troy Surratt applies the foundation and blends it out with the attached brush, then goes in with a Beauty Blender.




"Sure, Troy," I said snidely. "This is the only tool I need, asterisk, and a Beauty Blender." I'm happy to report that the foundation always comes up through the center of the brush after a few clicks, and it's easy to manage how much you get, but swiping the brush on my face for my first test run didn't fill me with hope. The brush isn't the absolute softest tool out there, and the foundation felt a little stiff.


When I started buffing the foundation in to my skin, however, I realized that the brush actually works just fine. In fact, I was able to cover my entire face in a thin layer of foundation in about two minutes. Okay, Troy, I stand corrected. I'll put my Beauty Blender and my shitty comments away.

Now, I'm not usually happy about having a cystic pimple on my face, but looking at these before-and-after photos, I'm glad this zit came to visit. Surratt claims that this foundation is "medium to full coverage," and I can't fathom why. This is definitely a light coverage foundation: you can see that it covered up my discoloration and gave my skin a more even look, but it barely softened the angry red zit on my chin. In my experience, a medium coverage foundation will cover a zit at least partially, and a full coverage foundation will work about as well as any concealer. That's not what's happening here.

In terms of finish, the Surreal Skin Foundation looks like skin. It does cling slightly to dry patches, though this softens up a bit throughout the day; as promised, it sort of "melts in." Also, it's worth mentioning that my skin was at its absolute driest when I took these photos. Buffed over less parched skin or a moisturizer, you'd have to get right up against me to see any dryness or clinging.


The picture on the left is 15 minutes after application, and the picture on the right shows 6 hours of wear. (I didn't take a later picture because it looked roughly the same at the 9 hour mark.) The foundation stays skin-like and beautifying, but it does start to fade a little from my nose, the one oily part of my face. However, you can reapply the foundation without making it look cakey or dry, which I tested one day: I threw the wand in my bag and buffed it back over my nose during my lunch break. Lastly, this foundation was comfortable all day and did not make me itch or break out.

On the whole, I really enjoy this foundation. I think it will be a better fit for me in the summer, when my skin and the air around me are less dry, simply because this isn't as dewy as what I normally reach for and it can emphasize my dry patches a little. It's not the sort of product I'd recommend to very oily skin, either, given how it performed on my nose. That doesn't change the fact that people looking for easy-to-apply light coverage with a skin-like finish will really enjoy Surreal Skin. Is every ounce worth three full days of my teaching salary, though? Eh...I'm on the fence about that one. I can see myself using this up, but unless it becomes my go-to in the warmer months, I'm not sure I'll repurchase.

RATING: 4 out of 5
You can purchase Surratt products at Sephora.

Saturday, September 22, 2018

REVIEW: NARS Pure Radiant Tinted Moisturizer


Few things make you feel better about your spending habits and your "makeup rehab" progress than buying just two items and spending under $60 at a Sephora sale. While very few products tickled my fancy, I was definitely looking forward to testing out the NARS Pure Radiant Tinted Moisturizer. Admittedly, I haven't had much luck with NARS formulas, but I've heard nothing but raves for this sheer foundation.

The NARS Pure Radiant Tinted Moisturizer will run you $45 for 1.9oz. Yes, that's bigger than the standard 1oz tube, but you'll want to use almost 1/4 teaspoon of this product to get the listed SPF30 and some coverage, so you'll go through it faster. I've always been a fan of NARS's simple, sleek packaging, and this black squeeze tube is no different.

Natural light on top, flash on the bottom. From left to right: Buxom Show Some Skin Foundation in Tickle the Ivory, NARS Pure Radiant Tinted Moisturizer in Finland, NARS Radiant Creamy Concealer in Chantilly, Sephora Bright Future Gel Serum Concealer in 03 Fondant.

I went for the lightest shade in the range, Finland, which is listed as the palest shade with yellow undertones. I think the undertones look a bit peachy, and it's closer to NC15 than my usual base product choices, but it was workable for me. I'm more disappointed by the darker end of the range: there are only a couple of deep shades, and the gaps between them are pretty big. Given the shade ranges on their more recent launches, I know NARS can do better.


This is a tinted moisturizer, so I didn't expect much coverage. However, this product definitely gave me a more even, healthy-looking complexion, and he also concealed the pink post-inflammatory pigmentation I had on my cheeks. It generally looked smooth and natural on my skin, but it clung a little to the dryer parts of my face, especially my chin and the lower half of my cheeks.

The NARS tinted moisturizer also has a strong perfume-y scent that I could smell as I applied it. I didn't notice it throughout the day, but it was potent enough to make me go "ugh" while I rubbed it in.


Despite the strong fragrance and the bit of clinging, I really liked how this tinted moisturizer made my skin look shortly after application. It photographs beautifully, especially on a cell phone, and it looks incredibly natural. I definitely noticed the shine appearing on my nose around the 3 hour mark, but it still looked good. Then we get to the 8 hour photo, and wow, when is the last time you ever saw my face look that shiny?! (There's a secret part of me that wants to love the shine, since my skin is so dry that it only looks that shiny after I've applied moisturizer, but the logical side of me knows it's not a good look.) Besides the shine, you can also see that the tinted moisturizer has worn off of my nose completely.

I may have kept this tinted moisturizer for work days and just used a powder or a primer on my nose, but there's another problem: this irritated my skin. Every time I put it on, I would develop a new pimple or an angry hive within an hour. The ingredients list looks relatively benign, so if I had to blame anything for this, I'd blame the fragrance.

So I guess I can amend the introduction to this post: I'll be returning this tinted moisturizer and will therefore have purchased just one item from the recent Sephora sale. Hey, you gotta take your wins where you can get 'em.

RATING: 3 out of 5
I buy my NARS products from Sephora.

Wednesday, August 15, 2018

REVIEW: House of Besame Debutante Sheer Color Lipsticks


For as long as I can remember, my mother has been obsessed with costume dramas. Does she actually care about the plot of The Age of Innocence or Downton Abbey? Well, kind of, but she openly admits that her primary attraction to those sorts of shows is the lavish clothing wealthy people wore at the time. Even after discovering that the sort of people she's looking at didn't bathe too often and, therefore, said lovely clothing probably had a bit of a stench to it, she's drawn to anything that promises corseted women swooning over their beaus.

Despite the fact that I hate even wearing a bra and get most of my ratty black t-shirts from the thrift store, my mother's love of costume dramas rubbed off on me, as did my brother's interest in history. This prompted a fascination with cultural norms and beauty expectations throughout the ages, particularly the Revolutionary War era and the 19th century.

So you can imagine how deliriously happy I was when Besame, one of my all-time favorite brands, released a picture of their new Debutante Sheer Color Lipsticks, which feature the Gibson Girl on the box. After I posted the picture on my Instagram story with the shrieking caption "OH MY EDWARDIAN GODDDDD," Besame messaged me and said they had actually sent the new lipsticks to me.

How excited was I for these new lipsticks? So excited that I immediately made my mother promise to forward the box to me ASAP if it arrived after I'd moved. After several stressful weeks of moving in to our new place a thousand miles from home, receiving these lipsticks was a treat.


The Debutante Sheer Color Lipsticks are advertised as part of the new "House of Besame" line, which seems to be inspired by turn-of-the-century luxury beauty routines. They arrive in matte, pink tubes with the traditional Besame flower logo. At $22 per 0.12oz tube, they are the same size and price as Besame's breakout Classic Color range. The main difference, of course, is that these are meant to be sheer. These also have a different scent: the original Besame lipsticks smell very faintly of vanilla to me, but the Debutante range uses peppermint oil for a light mint scent.


There are currently three shades in the range. Berry Red is, as the name suggests, a relatively neutral, popsicle-stain red; it's slightly less brown and more vibrant in real life than it looks in this swatch picture. Mint Rose is a soft pink. Chocolate Kiss is a sheer version of the same warm brown shade from the Classic Color range.

While these lipsticks are more sheer than anything from the Classic Color Range, they're not as barely-there as some sheer lipsticks, ie Glossier Generation G. One swipe will net you visible color. Mint Rose and Chocolate Kiss are very slightly glossy, but only slightly, and this easily rectified with a quick blot if you prefer a more matte look. Berry Red has more of a traditional lip stain look to it.

From left to right: Chocolate Kiss, Mint Rose, Berry Red.

I fully expected Mint Rose to be my favorite of the three shades. But while it's certainly the one I'll wear most frequently, being so work-appropriate and my-lips-but-better on y skintone, I think the shade that impresses me the most is Chocolate Kiss. I love the original, full-on version of this shade, but it can be a bit tough for me to wear brown lipstick past autumn. This sheer alternative seems like it will be more wearable on different skintones throughout all four seasons.

As far as wear goes, these perform about the same as most sheer lipsticks: they last for a good 3-4 hours if you're gentle with them, but they will fade quickly if you eat a full meal or drink a lot.

I have two problems with these lipsticks. My first complaint is honestly a bit petty: the names of the lipsticks are on the bottom of the tubes and on the white barcode stickers on the boxes, but they're not on the box itself. I always loved the "This shade is a true replica of a shade from ____" stickers on the Classic Color boxes; it felt like it fit right in to the aesthetic. Having to locate the name on an obtrusive white sticker makes the experience feel a bit less lux than I'd expect.

My more substantial quibble is that Besame claims these lipsticks are moisturizing, but I can't agree; I actually found that they could be ever so slightly drying by the end of the day. I think this is caused by the peppermint oil, which dries my lips out a bit; your mileage may vary.

While the Debutante Sheer Color Lipsticks are never going to usurp the many Classic Color Lipsticks in my collection, they've earned the right to sit in the same drawer. They're easy to wear, beautifully packaged, and have me excited for whatever else Besame is planning for this new range.

RATING: 4 out of 5
House of Besame products are available at BesameCosmetics.com.

These lipsticks were sent to me by Besame. As I made clear to the company, I only write honest reviews. I do not accept financial compensation for my posts.

Thursday, June 14, 2018

We Interrupt Your Regularly Scheduled Hiatus for the New Glossier Cloud Paint Shades


I no sooner go on hiatus than Glossier does something I've wanted them to do for the past year: they release more dark skin friendly shades of their *Cloud Paints. There's still no true red, but there is finally a warm shade for deeper skintones, a bright coral named Dawn. The other new shade is a slightly muted, rich plum named Storm.


One of the best things about these blushes is that they mix together so well, giving you extra shade options. I often add a dab of Dusk to Beam or Puff for a more natural, less pastel shade. Here are a few other color mixes I tested; I'm especially fond of how Storm and Puff make a sort of lavender color:


As per usual, these new Cloud Paints were purchased using store credit earned via affiliate link clicks. A special thank you to everyone who uses the affiliate links I post. You help this blog thrive!


* NOTE: This is an affiliate link. It is not mine; it is for the YouTuber Jacquelyn Lovene. I have more than enough store credit, so I'm passing on the love. If you don't want to use an affiliate link, just head to Glossier.com. 

I purchased these two tubes of Cloud Paint using store credit earned via affiliate link purchases. I am not a Glossier Rep and my reviews are always honest.

Monday, June 4, 2018

REVIEW: Kat Von D 24 Hour Super Brow Long Wear Pomade


I'm not a huge fan of the Kat Von D brand for a variety of reasons, but I was still intrigued when Influenster decided to include me in their Kat Von D brow product campaign. For some weird reason, I've been really in to brow products lately, and I've been especially keen on comparing various micro pencils to my old faithful Anastasia Beverly Hills Brow Wiz. Given my product preferences and how I normally wear my brows, I assumed they'd send me the Kat Von D Signature Brow Precision Pencil. Instead, I received the 24 Hour Super Brow Long Wear Pomade and the new #70 brush. I was a bit irked at first, since I admitted to myself years ago that I'm too lazy for brow pomades. Yet I've actually started to like this product over the past few weeks, albeit for very specific situations.

The Kat Von D Long Wear Pomade (as I'll be calling it for the rest of the review) retails for $19 for 5 grams of product in a glass jar with a plastic lid. This is on the cheap side as far as pomade price-per-gram goes:

ELF Lock On Liner and Brow Cream, $4 for 5.4 grams -- $0.74/g
Makeup Revolution Brow Pomade, $8 for 2.3 grams -- $3.48/g
Kat Von D Long Wear Pomade, $19 for 5 grams -- $3.80/g
Anastasia Beverly Hills Dipbrow, $18 for 4 grams -- $4.50/g
MAC Fluidline Brow Gelcreme, $19 for 2.8 grams -- $6.79/g
Benefit Ka-Brow, $24 for 3 grams -- $8.00/g

The ELF pomade is obviously a steal compared to all of these, including the Kat Von D, but it lacks a decent color range. By contrast, the Kat Von D Long Wear Pomade currently boasts 16 shades, 7 in "regular" brow colors and 9 in bright editorial or mixing shades, like a pure white and a vibrant pink.

 From left to right: Kat Von D Long Wear Pomade in Medium Brown; Anastasia Beverly Hills Dipbrow in Medium Brown and Chocolate; L'oreal Brow Stylist Definer in Brunette; Milk Makeup Gel Brow in Pilsner.

Influenster sent me the shade Medium Brown, which is probably my closest match in the range, but not the best shade for me overall--I tend to prefer something ashier, like the aptly-named Anastasia Ash Brown. Still, it's not overly warm, and it's definitely a workable shade for me.


Here's a shot of one brow with the pomade and one brow without, just so you can see the undertones. Again, my brow hairs are cooler and this product definitely leans warm.


The actual application of the Kat Von D Longwear Pomade was about as fussy as I expected: you have to dip your brush in to the pomade, then wipe most of the product off on to the lid or the edge of the jar, or you'll end up with way too much pomade. While I prefer a less drawn-on look most of the time, I think you'll want to use light strokes no matter what look you're going for, since that makes it easier to control the application and shape. I started at my arch and worked back, since that's the more sparse part of my brows, then filled in the front of my brows with what was left on the brush.

Speaking of the #70 Pomade Brush: it's very meh. I found it a bit bigger and thicker than I like for most pomades. The smaller, thinner Anastasia #12 is better if you want to make precise lines and/or have more control over your application, and it comes with a spoolie.

The actual texture of this pomade is a bit lighter and less dense than Anastasia Dipbrow, but I don't think the Kat Von D is quite as workable. You need to work quickly and in small sections because attempting to go back over this product once it has dried will create a bit of a mess: you might pull up a bit of the pomade, but it's more likely that the wet stuff on your brush will stick to the already-dried parts. See this portion of my brow:


Is it super visible to the naked eye? No, but again, I always work slowly and with a light hand to prevent more obvious snafus.

The good thing about the fast drying time, however, is that it seems to improve the wear. I didn't wear this pomade for 24 hours because I refuse to sleep in my makeup, even for the sake of science, but I did wear it for 12+ hours on a very humid day that included some traipsing about town and an hour on the porch in a misty rain. Here it is at the 10 hour mark:



As you can see, the pomade stayed decently in place. I do seem to have a bit of fading right in the middle of the arch, but it wasn't noticeable to the naked eye--I actually didn't see it until I looked at this macro shot. I also have a brow hair that has clearly jumped ship, but that's normal for me and isn't the fault of the pomade. (I skipped clear gel on this day to get the most fair and accurate photographs possible.)

I've also tested this on my lids as eyeliner, and it works okay for that. It's not as smooth or workable as a regular gel liner, and it doesn't seem to have the same wear time on my oily lids as it does on my brows, but it definitely gave me a rich, dark line for most of the day without smearing or flaking. If you were in a pinch or trying to cut down on products in your travel makeup bag, this could work as a liner.

While the Kat Von D Long Wear Pomade is a solid product, and the shade range sets it apart, I don't think it's better than the Anastasia Beverly Hills Dipbrow. I found Dipbrow a bit easier to work with and even longer-lasting. Still, I enjoy wearing this product on days when I'm out in the elements for a while and I don't want to worry about touch-ups.

RATING: 4 out of 5
Kat Von D products are available at Sephora.
This product was sent to me by Influenster in exchange for an honest review.